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2009 IEEE International Symposium on Mixed and Augmented Reality - Arts, Media and Humanities (2009)
Orlando, FL USA
Oct. 19, 2009 to Oct. 22, 2009
ISBN: 978-1-4244-5508-9
TABLE OF CONTENTS

Messages from the symposium general chairs (PDF)

Jannick P. Rolland , The Institute of Optics and Department of Bio-medical Engineering, University of Rochester, USA
Brian J. Thompson , The Institute of Optics and Department of Bio-medical Engineering, University of Rochester, USA
Christopher Stapleton , Simiosys, Real World Labs, USA
pp. x

From the arts, media & humanities general program chair (PDF)

Raphael Grasset , HIT Lab NZ, University of Canterbury, New Zealand
pp. xi-xii

[Reviewers] (PDF)

pp. xvi

Keynote speaker - Mixing reality magic at Disney theme parks (PDF)

Mark Mine , Technical Concept Design Disney Imagineering
pp. xix

Radiating centers: Augmented reality and human-centric design (PDF)

Isabel Pedersen , Department of Professional Communication, Ryerson University, Canada
pp. 11-16

Process and (mixed) reality: A process philosophy for interaction in mixed reality environments (PDF)

Timothy Barker , iCinema Centre for Interactive Cinema, The University of New South Wales
pp. 17-23

Coupling digital and physical worlds in an AR magic show performance: Lessons learned (PDF)

Anna Carreras , Institut Universitari de l'Audiovisual. Universitat Pompeu Fabra
Carles Sora , Institut Universitari de l'Audiovisual. Universitat Pompeu Fabra
pp. 25-28

Augmented reality and digital genre design — Situated simulations on the iPhone (Abstract)

Gunnar Liestol , Dept. of Media & Communication, University of Oslo
pp. 29-34

Spatialization as a musical concept (PDF)

Bijan Zelli , Independent Researcher
pp. 35-38

Augmented Reality (AR) joiners, a novel expanded cinematic form (PDF)

Helen Papagiannis , Augmented Reality Lab, Department of Film, Faculty of Fine Arts, York University
pp. 39-42

Loosely-coupled mixed reality: Using the environment metaphorically (PDF)

Myungho Lee , Digital Experience Laboratory, Korea University
Gerard J. Kim , Digital Experience Laboratory, Korea University
pp. 51-52

An intuitional interface for invocation of Chinese painting (PDF)

Henry Been-Lirn Duh , IDMI / ECE, National University of Singapore, Singapore
Chien-Hsu Chen , Department of industrial design, National Cheng-Kung University, Taiwan
Chris Chun-Chin Su , Department of industrial design, National Cheng-Kung University, Taiwan
Raymond Koon Chuan Koh , IDMI / ECE, National University of Singapore, Singapore
pp. 53-54

Tutorials, comprehensive tutorials (PDF)

Charlie Hughes , University of Central Florida, USA
John Quarles , University of Texas at San Antonio, USA
pp. 57-62
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