Message from the Chairs

Conference Committee (PDF)

pp. ix

Steering and Program Committees (PDF)

pp. x

Music Distribution

Laramedia Inc., an Internet Distribution Network for Commercial Audio (Abstract)

Tom Laramee

pp. 3

PDF

Distributed Multimedia Plays with QoS guaranties over IP (Abstract)

Arne Lie, NTNU Department of Telematics

Leif Arne R?nningen, NTNU Department of Telematics

pp. 12

PDF

Use of the MPEG-21 Rights Expression Language for Music Distribution (Abstract)

Jaime Delgado, Universitat Pompeu Fabra (Barcelona, Spain)

Isabel Gallego, Universitat Pompeu Fabra (Barcelona, Spain)

Eva Rodr?guez, Universitat Pompeu Fabra (Barcelona, Spain)

pp. 16

PDF

Online Music Services

Potato System and Signed Media Format - an Alternative Approach to Online Music Business (Abstract)

J?rgen N?, Technische Universit?t Ilmenau

R?diger Grimm, Technische Universit?t Ilmenau

pp. 23

PDF

Key Success Factors in the Emerging Landscape of Mobile Music Services (Abstract)

Pavlos Vlachos, Athens University of Economics and Business

Adam Vrechopoulos, Athens University of Economics and Business

pp. 27

PDF

Enhancement of existing web applications to support Audio and Musical tools (Abstract)

Giovanni Tummarello, University of Ancona, Italy

Christian Morbidoni, University of Ancona, Italy

Francesco Piazza, University of Ancona, Italy

pp. 31

PDF

Music Transcription and Translation

Automatic Music Transcription Supporting Different Instruments (Abstract)

I. Bruno, University of Florence

S. L. Monni, University of Cagliari

P. Nesi, University of Florence

pp. 37

PDF

Producing Accessible Multimedia Music (Abstract)

David Crombie, FNB (Dutch Library for the Print Impaired)

Roger Lenoir, FNB (Dutch Library for the Print Impaired)

Neil McKenzie, FNB (Dutch Library for the Print Impaired)

pp. 45

PDF

The Need of Perceptual Hashing Techniques for Music Scores (Abstract)

Jonathan Irons, Sheet Music Now

Martin Schmucker, Fraunhofer-IGD

pp. 49

PDF

Watermarking

Attacks on Digital Audio Watermarks and Countermeasures (Abstract)

Michael Arnold, Fraunhofer-Institute for Computer Graphics

pp. 55

PDF

Unitary Approach of Watermarking and Attack Algorithms for Audio Signals (Abstract)

T. Muntean, Universit? Bordeaux I

M. Najim, Universit? Bordeaux I

pp. 63

PDF

On the Spectral Singularities of Watermarked Audio (Abstract)

Xianfeng Zhao, Shanghai Jiaotong University

Weinong Wang, Shanghai Jiaotong University

Kefei Chen, Shanghai Jiaotong University

pp. 67

PDF

Watermarking of audio signals using Independent Component Analysis (Abstract)

Bor?mi Toch, Aston University

David Lowe, Aston University

David Saad, Aston University

pp. 71

PDF

Music Analysis, Generation and Preservation

Modeling Musical Style using Grammatical Inference Techniques: a Tool for Classifying and Generating Melodies (Abstract)

Pedro P. Cruz-Alc?zar, Universidad Polit?cnica de Valencia

Enrique Vidal-Ruiz, Universidad Polit?cnica de Valencia

pp. 77

PDF

Semantic Relationship and Identification of Music (Abstract)

Frank Seifert, Chemnitz University of Technology

Wolfgang Benn, Chemnitz University of Technology

pp. 85

PDF

Determining the Chromatic Index of Music (Abstract)

Dionysios Politis, Aristotle University of Thessaloniki, Greece

Dimitrios Margounakis, Aristotle University of Thessaloniki, Greece

pp. 93

PDF

Computer-aided Composition from Melodic Contours and Tabular Constraints (Abstract)

Hung-Che Shen, National Sun Yat-Sen University

Chungnan Lee, National Sun Yat-Sen University

pp. 101

PDF

CBS: A Concept-Based Sequencer for Soundtrack Composition (Abstract)

Michael O Jewell, University of Southampton, Southampton

Mark S. Nixon, University of Southampton, Southampton

Adam Pr?gel-Bennett, University of Southampton, Southampton

pp. 105

PDF

Preserving Interactive Digital Music: A Report on the MUSTICA Research Initiative (Abstract)

Bruno Bachimont, Institut National de léAudiovisuel (INA) & Université de Technologie de Compiègne

Jean-Fran?ois Blanchette, University of British Columbia

Andrew Gerzso, Institut de Recherche et Coordination Acoustique/Musique (IRCAM)

Anne Swetland, University of California, Los Angeles

Olivier Lescurieux, Institut de Recherche et Coordination Acoustique/Musique (IRCAM)

Pierre Morizet-Mahoudeaux, Universit? de Technologie de Compi?gne

Nicolas Donin, Institut de Recherche et Coordination Acoustique/Musique (IRCAM)

Jill Teasley, University of British Columbia

pp. 109

PDF

Digital Rights and Metadata

The Application of Digital Rights Management Systems in the Music Industry - An Empirical Investigation (Abstract)

Marc Fetscherin, University Bern, Switzerland

Matthias Schmid, University Bern, Switzerland

pp. 115

PDF

LicenseScript: A Novel Digital Rights Language and its Semantics (Abstract)

Cheun Ngen Chong, University of Twente, The Netherlands

Ricardo Corin, University of Twente, The Netherlands

Sandro Etalle, University of Twente, The Netherlands

Pieter Hartel, University of Twente, The Netherlands

Willem Jonker, Philips Research, The Netherlands

Yee Wei Law, University of Twente, The Netherlands

pp. 122

PDF

Editorial Metadata in the Cuidado Music Browser: Between Universalism and Isolationism (Abstract)

Amaury Laburthe, Sony CSL - Paris

Fran?ois Pachet, Sony CSL - Paris

Jean-Julien Aucouturier, Sony CSL - Paris

pp. 130

PDF

Using Cultural Metadata for Artist Recommendations (Abstract)

Stephan Baumann, DFKI GmbH

Oliver Hummel, DFKI GmbH

pp. 138

PDF

Industrial Applications

Beyond the Talking Head: The Web Delivery of Methodology and Field Experience for Music Education (Abstract)

Eugenie Burkett, Shenandoah University

Grace Ohlenbusch, University of Central Arkansas

pp. 145

PDF

Watermarking Music Sheets, it is possible? (PDF)

M. Campanai, EXITECH s.r.l. - Italy

P. Nesi, University of Florence - Italy

M. B. Spinu, EXITECH s.r.l. - Italy; University of Florence - Italy

pp. 151

Using MusicXML for File Interchange (PDF)

Michael Good, Recordare LLC

Geri Actor, Recordare LLC

pp. 153

Interactive Sound Player (ISP): Enabling interactive sound in Digital Media (PDF)

Michael Westermann, digitalklang sonification services

pp. 154

Author Index (PDF)

pp. 155