|
| This Article | ||
| ||
| Share | ||
| Bibliographic References | ||
| Add to: | ||
| | ||
| Search | ||
| ||
| ASCII Text | x | ||
| Rukun Fan, Songhua Xu, Weidong Geng, "Example-Based Automatic Music-Driven Conventional Dance Motion Synthesis," IEEE Transactions on Visualization and Computer Graphics, vol. 18, no. 3, pp. 501-515, March, 2012. | |||
| BibTex | x | ||
| @article{ 10.1109/TVCG.2011.73, author = { Rukun Fan and Songhua Xu and Weidong Geng}, title = {Example-Based Automatic Music-Driven Conventional Dance Motion Synthesis}, journal ={IEEE Transactions on Visualization and Computer Graphics}, volume = {18}, number = {3}, issn = {1077-2626}, year = {2012}, pages = {501-515}, doi = {http://doi.ieeecomputersociety.org/10.1109/TVCG.2011.73}, publisher = {IEEE Computer Society}, address = {Los Alamitos, CA, USA}, } | |||
| RefWorks Procite/RefMan/Endnote | x | ||
| TY - JOUR JO - IEEE Transactions on Visualization and Computer Graphics TI - Example-Based Automatic Music-Driven Conventional Dance Motion Synthesis IS - 3 SN - 1077-2626 SP501 EP515 EPD - 501-515 A1 - Rukun Fan, A1 - Songhua Xu, A1 - Weidong Geng, PY - 2012 KW - music KW - dynamic programming KW - graphics processing units KW - image matching KW - image motion analysis KW - image sequences KW - learning (artificial intelligence) KW - Asian dance genres KW - example based automatic music driven conventional dance motion synthesis KW - learning based approach KW - motion mapping relationship KW - motion matching quality rating function KW - synchronized music KW - professional human dance performance KW - optimal sequence KW - dance motion segments KW - constraint based dynamic programming KW - visual smoothness KW - resultant dance motion sequence KW - two-way evaluation strategy KW - GPU based implementation KW - peer method KW - Motion segmentation KW - Feature extraction KW - Correlation KW - Training KW - Joints KW - Synchronization KW - Humans KW - learning-based dance motion synthesis. KW - Dance motion and music mapping relationship KW - music-driven dance motion synthesis VL - 18 JA - IEEE Transactions on Visualization and Computer Graphics ER - | |||
[1] G. Alankus, A. Bayazit, and O. Bayazit, “Automated Motion Synthesis for Virtual Choreography,” J. Computer Animation and Virtual Worlds, vol. 16, no. 3/4, pp. 259-271, 2005.
[2] O. Arikan and D. Forsyth, “Interactive Motion Generation from Examples,” ACM Trans. Graphics, vol. 21, no. 3, pp. 483-490, 2002.
[3] C. Bregler, M. Covell, and M. Slaney, “Video Rewrite: Driving Visual Speech with Audio,” Proc. ACM SIGGRAPH '97, pp. 353-360, 1997.
[4] L. Ren, G. Shakhnarovich, J. Hodgins, H. Pfister, and P. Viola, “Learning Silhouette Features for Control of Human Motion,” Proc. ACM SIGGRAPH '04, 2004.
[5] J. Kim, H. Fouad, J. Sibert, and J. Hahn, “Perceptually Motivated Automatic Dance Motion Generation for Music,” Computer Animation and Virtual Worlds, vol. 20, no. 2/3, pp. 375-384, 2009.
[6] M. Brand and A. Hertzmann, “Style Machines,” Proc. ACM SIGGRAPH '00, pp. 183-192, 2000.
[7] M. Cardle, L. Barthe, S. Brooks, and P. Robinson, “Music-Driven Motion Editing: Local Motion Transformations Guided by Music Analysis,” Proc. 20th UK Conf. Eurographics (EGUK '02), pp. 38-44, 2002.
[8] J. Chen and T. Li, “Rhythmic Character Animation: Interactive Chinese Lion Dance,” Proc. ACM SIGGRAPH '05, 2005.
[9] D. Ellis, “Beat Tracking by Dynamic Programming,” J. New Music Research, vol. 36, no. 1, pp. 51-60, 2007.
[10] J. Friedman, “Fast Mars,” Dept. of Statistics, Technical Report LCS110, Stanford Univ., 1993.
[11] K. Grochow, S.L. Martin, A. Hertzmann, and Z. Popović, “Style-Based Inverse Kinematics,” Proc. ACM SIGGRAPH '04, pp. 522-531, 2004.
[12] A. Hoerl and R. Kennard, “Ridge Regression: Biased Estimation for Nonorthogonal Problems,” J. Technometrics, vol. 42, no. 1, pp. 80-86, 2000.
[13] E. Hsu, S. Gentry, and J. Popović, “Example-Based Control of Human Motion,” Proc. Symp. Computer Animation, pp. 69-77, 2004.
[14] E. Hsu, K. Pulli, and J. Popović, “Style Translation for Human Motion,” Proc. ACM SIGGRAPH '05, pp. 1082-1089, 2005.
[15] E. Keogh and C. Ratanamahatana, “Exact Indexing of Dynamic Time Warping,” Knowledge and Information Systems, vol. 7, no. 3, pp. 358-386, 2005.
[16] T. Kim, S. Park, and S. Shin, “Rhythmic-Motion Synthesis Based on Motion-Beat Analysis,” ACM Trans. Graphics, vol. 22, no. 3, pp. 392-401, 2003.
[17] L. Kovar, M. Gleicher, and F. Pighin, “Motion Graphs,” ACM Trans. Graphics, vol. 21, no. 3, pp. 473-482, 2002.
[18] R. Laban and L. Ullmann, “The Mastery of Movement,” 1971.
[19] O. Lartillot and P. Toiviainen, “MIR in Matlab (II): A Toolbox for Musical Feature Extraction from Audio,” Proc. Int'l Conf. Music Information Retrieval (ISMIR '07), pp. 237-244, 2007.
[20] H. Lee and I. Lee, “Automatic Synchronization of Background Music and Motion in Computer Animation,” Computer Graphics Forum, vol. 24, pp. 353-361, 2005.
[21] J. Lee, J. Chai, P. Reitsma, J. Hodgins, and N. Pollard, “Interactive Control of Avatars Animated with Human Motion Data,” ACM Trans. Graphics, vol. 21, no. 3, pp. 491-500, 2002.
[22] Y. Li, T. Wang, and H. Shum, “Motion Texture: A Two-Level Statistical Model for Character Motion Synthesis,” Proc. ACM SIGGRAPH '02, pp. 465-472, 2002.
[23] M. Maltamo and A. Kangas, “Methods Based on k-Nearest Neighbor Regression in the Prediction of Basal Area Diameter Distribution,” Canadian J. Forest Research, vol. 28, no.8, pp. 1107-1115, 1998.
[24] E. Moulines and F. Charpentier, “Pitch-Synchronous Waveform Processing Techniques for Text-to-Speech Synthesis Using Diphones,” Speech Comm., vol. 9, no. 5/6, pp. 453-467, 1990.
[25] P. Nardiello, F. Sebastiani, and A. Sperduti, “Discretizing Continuous Attributes in AdaBoost for Text Categorization,” Proc. 25th European Conf. IR Research (ECIR '03), pp. 320-334, 2003.
[26] M. Neff, I. Albrecht, and H. Seidel, “Layered Performance Animation with Correlation Maps,” Computer Graphics Forum, vol. 26, no. 3, pp. 675-684, 2007.
[27] M. Nørgaard, Neural Networks for Modelling and Control of Dynamic Systems: A Practitioner's Handbook. Springer, 2000.
[28] S. Oore and Y. Akiyama, “Learning to Synthesize Arm Music to Motion By Example,” Proc. Int'l Conf. Central Europe on Computer Graphics Visualization and Computer Vision (WSCG '06), 2006.
[29] M. Orr, “Introduction to Radial Basis Function Networks,” technical report, Inst. for Adaptive and Neural Computation, Edinburgh Univ., 1996.
[30] E. Pampalk, “A Matlab Toolbox to Compute Music Similarity from Audio,” Proc. Fifth Int'l Conf. Music Information Retrieval (ISMIR '04), pp. 254-257, 2004.
[31] S. Park, H. Shin, and S. Shin, “On-Line Locomotion Generation Based on Motion Blending,” Proc. Symp. Computer Animation, pp. 105-111, 2002.
[32] H. Peng, F. Long, and C. Ding, “Feature Selection Based on Mutual Information: Criteria of Max-Dependency Max-Relevance, and Min-Redundancy,” IEEE Trans. Pattern Analysis and Machine Intelligence, vol. 27, no. 8, pp. 1226-1238, Aug. 2005.
[33] R. Schapire, “The Boosting Approach to Machine Learning: An Overview,” Lecture Notes In Statistics-New York-Springer Verlag, pp. 149-172, 2003.
[34] T. Shiratori, A. Nakazawa, and K. Ikeuchi, “Dancing-to-Music Character Animation,” Computer Graphics Forum, vol. 25, pp. 449-458, 2006.
[35] T. Strohmann and G. Grudic, “A Formulation for Minimax Probability Machine Regression,” Proc. Advances in Neural Information Processing Systems, pp. 785-792, 2003.
[36] J. Suykens and J. Vandewalle, “Least Squares Support Vector Machine Classifiers,” Neural Processing Letters, vol. 9, no. 3, pp. 293-300, 1999.
[37] J. Wang and B. Bodenheimer, “An Evaluation of a Cost Metric for Selecting Transitions between Motion Segments,” Proc. Symp. Computer Animation, pp. 232-238, 2003.
[38] J. Wichard and C. Merkwirth, “ENTOOL—A Matlab Toolbox for Ensemble Modeling,” http://www.j-wichard.deentool, 2007.
[39] A. Witkin and Z. Popovic, “Motion Warping,” Proc. ACM SIGGRAPH '05, pp. 105-108, 1995.
[40] L. Zhao and A. Safonova, “Achieving Good Connectivity in Motion Graphs,” Proc. Symp. Computer Animation, 2008.
[41] J. Zhu, S. Rosset, H. Zou, and T. Hastie, “Multi-Class Adaboost,” technical report, Stanford Univ., 2005.
[42] F. Ofli, E. Erzin, Y. Yemez, and A.M. Tekalp, “Multi-Modal Analysis of Dance Performances for Music-Driven Choreography Synthesis,” Proc. IEEE Int'l Conf. Acoustics Speech and Signal Processing (ICASSP '10), 2010.
[43] R. Fan, J. Fu, S. Cheng, X. Zhang, and W. Geng, “Rhythm Based Motion-Music Matching Model,” J. Computer-Aided Design and Computer Graphics, vol. 22, pp. 990-996, 2010.
[44] D. Cooke, The Language of Music. Oxford Univ. Press, 2010.
[45] M. Goto, “An Audio-Based Real-Time Beat Tracking System for Music with or without Drum-Sounds,” J. New Music Research, vol. 30, pp. 159-171, 2001.
[46] M.J. Carey and E.S. Parris, and H. Lloyd-Thomas, “A Comparison of Features for Speech, Music Discrimination,” Proc. Int'l Conf. Acoustics, Speech, and Signal Processing (ICASSP '99), 1999.
[47] D. Liu and L. Lu, and H.J. Zhang, “Automatic Mood Detection from Acoustic Music Data,” Proc. Int'l Conf. Music Information Retrieval (ISMIR '03), 2003.
[48] D. Liu and L. Lu, and H.J. Zhang, “Phase-Based Note Onset Detection for Music Signals,” Proc. Int'l Conf. Acoustics, Speech, and Signal Processing (ICASSP '03), 2003.
[49] O. Izmirli, “Using a Spectral Flatness Based Feature for Audio Segmentation and Retrieval,” Proc. Int'l Conf. Music Information Retrieval (ISMIR '00), 2000.
[50] L. Knopoff and W. Hutchinson, “Entropy as a Measure of Style: The Influence of Sample Length,” J. Music Theory, vol. 27, pp. 75-97, 1983.

