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Information Overload: A Collaborative Dance Performance
January 2010 (vol. 17 no. 1)
pp. 8-13
Lauren Mandilian, Drexel University
Paul Diefenbach, Drexel University
Youngmoo Kim, Drexel University

Performance art piece Information Overload explored opportunities in which digital media could be incorporated into a modern dance performance. The piece examined how we relate to technology.

1. C. Utterback, "Unusual Positions," First Person, N. Wardrip-Fruin ed., MIT Press, 2004, p. 220.
2. E. Davis, Techgnosis: Myth, Magic + Mysticism in the Age of Information, Three Rivers Press, 1998.
3. E. Tenner, , Why Things Bite Back: Technology and the Revenge of Unintended Circumstances, Vintage Books, 1996.
4. C. Faver, "Toward a Digital Stage Architecture," IEEE MultiMedia, vol. 8, no. 4, 2001, pp. 6-9.
5. J.H. Thompson, "JHT Other Work," April 2007; http://www.j4u2.com/jhtnewwork.html.
6. J. Congdon et al., Audio, Video, and Wireless Position Tracking for an Interactive Media Performance, Drexel Univ., 2007.
7. R. Hewwitt, "Seeing with Open CV," Servo Magazine, March 2007; http://prism2.mem.drexel.edu/~paul/openCv openCvPart03.pdf.

Index Terms:
dance, digital media, technology, real-time motion capture, animation, real-time video filtration, position tracking, multimedia and graphics
Citation:
Lauren Mandilian, Paul Diefenbach, Youngmoo Kim, "Information Overload: A Collaborative Dance Performance," IEEE Multimedia, vol. 17, no. 1, pp. 8-13, Jan. 2010, doi:10.1109/MMUL.2010.15
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