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| George F. Hurlburt, Jeffrey Voas, "Storytelling: From Cave Art to Digital Media," IT Professional, vol. 13, no. 5, pp. 4-7, September/October, 2011. | |||
| BibTex | x | ||
| @article{ 10.1109/MITP.2011.87, author = {George F. Hurlburt and Jeffrey Voas}, title = {Storytelling: From Cave Art to Digital Media}, journal ={IT Professional}, volume = {13}, number = {5}, issn = {1520-9202}, year = {2011}, pages = {4-7}, doi = {http://doi.ieeecomputersociety.org/10.1109/MITP.2011.87}, publisher = {IEEE Computer Society}, address = {Los Alamitos, CA, USA}, } | |||
| RefWorks Procite/RefMan/Endnote | x | ||
| TY - MGZN JO - IT Professional TI - Storytelling: From Cave Art to Digital Media IS - 5 SN - 1520-9202 SP4 EP7 EPD - 4-7 A1 - George F. Hurlburt, A1 - Jeffrey Voas, PY - 2011 KW - Keywords: Storytelling KW - print media KW - digital media KW - information technology VL - 13 JA - IT Professional ER - | |||
Pictorial histories on cave walls constitute the earliest forms of preserved prehuman and early-human communications, representing the essence of the storyteller's art. As civilizations grew, so did the iconic nature of storytelling, yet we're no different today—our walls are just more likely to be on Facebook than deep inside caves. As we make our way through the digital transformation, a return to visualization is occurring that adheres to the storyteller's craft of appealing to our tribal sensibilities.
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