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Issue No.03 - May/June (2007 vol.27)
pp: 12-16
Kang Zhang , University of Texas at Dallas
ABSTRACT
This article studies some of the theories used in abstract painting and their existing and potential applications to information visualization. The authors relate the three dimensions of painting--form, color, and texture--various visual cognition principles, and finally aesthetic compositions used in abstract painting for effective information visualization.
INDEX TERMS
aesthetic computing, non-photorealistic rendering, abstract art, abstract painting, information visualization
CITATION
Kang Zhang, "From Abstract Painting to Information Visualization", IEEE Computer Graphics and Applications, vol.27, no. 3, pp. 12-16, May/June 2007, doi:10.1109/MCG.2007.58
REFERENCES
1. P. Fishwick, ed., Aesthetic Computing, MIT Press, 2006.
2. C.G. Healey and J.T. Enns, "Perception and Painting: A Search for Effective, Engaging Visualizations," IEEE Computer Graphics and Applications, vol. 22, no. 2, 2002, pp. 10–15.
3. N. Gershon and S.G. Eick, "Information Visualization: Guest Editors' Introduction," IEEE Computer Graphics and Applications, vol. 17, no. 4, 1997, pp. 29–31.
4. V. Perry, Abstract Painting—Concepts and Techniques, Watson-Guptill, 2005.
5. W. Kandinsky, Point and Line to Plane, translated by H. Dearstyne and H. Rebay, Dover Publications, 1979.
6. A.H. Munsell, A Grammar of Color: A Basic Treatise on the Color System of Albert H. Munsell, Van Nostrand Reinhold, 1969.
7. N. Gossett and B. Chen, "Paint Inspired Color Mixing and Compositing for Visualization," Proc. IEEE Symp. Information Visualization (InfoVis), IEEE CS Press, 2004, pp. 113–117.
8. G. Gu, The Three Steps of Modern Calligraphy, Chinese Book Publishing House, 1990.
9. T. Skog, S. Ljungblad, and L.E. Holmequist, "Between Aesthetics and Utility: Designing Ambient Information Visualizations," Proc. IEEE Symp. Information Visualization (InfoVis), IEEE CS Press, 2003, pp. 233–240.
10. E.R. Tufte, Envisioning Information, Graphics Press, 2001.
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