This Article 
   
 Share 
   
 Bibliographic References 
   
 Add to: 
 
Digg
Furl
Spurl
Blink
Simpy
Google
Del.icio.us
Y!MyWeb
 
 Search 
   
Beyond the Cybernetic Jam Fantasy: The Continuator
January/February 2004 (vol. 24 no. 1)
pp. 31-35
Fran?ois Pachet, Sony Computer Science Laboratories Paris

The Continuator is a usable musical instrument combining techniques from interactive and automatic learning systems. It learns and interactively plays with a user in the user's style.

1. S. Kay, The Korg Karma Music Work Station, Korg Inc., 2000.
2. J.-C. Risset and S. Van Duyne, "Real-Time Performance Interaction with a Computer-Controlled Acoustic Piano," Computer Music J., vol. 20, no. 1, 1996, pp. 62-75.
3. D. Cope, Experiments in Musical Intelligence, A-R Editions, 1996.
4. R. Kurzweil, The Age of Spiritual Machines, Viking Press, 1999.
5. F. Pachet, "Music Interaction with Style," Proc. Int'l Computer Music Conf. (ICMC 2002), ICMA Eds., 2002, pp. 211-218.
6. F. Pachet, "Playing with Virtual Musicians: The Continuator in Practice," IEEE MultiMedia, vol. 9, no. 3, 2002, pp. 77-82.
1. C.E. Shannon, "A Mathematical Theory of Communication," part I, Bell Systems Technical J., vol. 27, July 1948, pp. 379-423.
2. C.E. Shannon, "A Mathematical Theory of Communication," part II, Bell Systems Technical J., vol. 27, October 1948, pp. 623-656.
3. H. Brooks, "An Experiment in Musical Composition." IRE Trans. Electronic Computers, vol. 6, no. 1, 1957.
4. D. Cope, Experiments in Musical Intelligence, A-R Editions, 1996.
5. J.L. Triviño-Rodriguez and R. Morales-Bueno, "Using Multiattribute Prediction Suffix Graphs to Predict and Generate Music," Computer Music J., vol. 25, no. 3, 2001, pp. 62-79.

Citation:
Fran?ois Pachet, "Beyond the Cybernetic Jam Fantasy: The Continuator," IEEE Computer Graphics and Applications, vol. 24, no. 1, pp. 31-35, Jan.-Feb. 2004, doi:10.1109/MCG.2004.10007
Usage of this product signifies your acceptance of the Terms of Use.